One of the most appealing characteristics of Liszt is his continual travel, and involvement with people. His love for people, art, and getting to grips with matters such as suffering and death all make for a very Hollywood type character. Engrossed with philosophy, and religion, this set of works is influenced by Italian works of art and poetry. Each of these compositions is influenced by some form of Italian art.
The first piece Sposalizio, is influenced by the Renaissance painting of Raphael. Made up of open fifths and octaves, one can hear the broadness of space Raphael may have been in, whilst painting perhaps in a cathedral. Following this work is Il Penseroso influenced by Michelangelo’s statue of Lorenzo de Medici in Florence. Much simpler in texture with an almost atmospheric vibe. Not so weighty. No. 3 is Canzonetta del Salvator Rosa a charming Italian song with gorgeous vocal like melody. Then we approach my personal favorites the three sonnets 47, 104, 123. Based on three sonnets, this is some of Liszt’s finest programmatic music, each written in great detail to convey the text. Last but not least the Dante Sonata represent Liszt’s most passionate work full of tritones, fire and deep philosophical thought. A technical work to show off ones virtuosic prowess, and control of the black beast..
Les jeux d’eaux a la villa d’Este and Aux cypress de la Villa d’Este I and II are from Liszt’s Third Year of Pilgrimage. Beautiful character pieces, one can hear the sparkling fountains from his villa of paradise, and Cypress, one can hear Liszt’s struggle and his more religious contemplative side.
The Mephisto Polka made me laugh as I got it confused with the famous waltz. A lot cheekier in character, it is a fun work to play for a family gathering, as it is not intense as the waltz.
Nuages gris is a fascinating work using the most minimal of textures. A simple yet dark piece as the title suggests creates a feeling of stillness, and nostalgia.
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